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Roskilde 2022: Yakuza brings some straight-in-your-face-attitude

Serge Savin
June 29th, 2022


This article is more than 2 years old.

Yakuza showed that she can both rap, sing and control a crowd. But feature acts did seem gimmicky at times – ★★★☆☆☆

It only took a few minutes before Yakuza showed that she knows how to control a crowd.

“Who’s that bitch?” she kept asking and the audience responded: “I’m that bitch”.

That led up to her playing ‘Den bich’ with a precise flow and fast-paced tempo – an energetic performance that left the crowd wanting much more.

Booing men
Yakuza is a part of the new generation of Danish female rappers who go all in with a fuck-you attitude, heavy beats and sleazy lyrics.

Her name means 8 9 3 in Japanese – the worst hand in a card game – which reflects her rough upbringing with a criminal father and a mother on social security. It’s a rough background that can be seen in both her lyrics and stage performance – as was shown when the crowd was painfully reminded that female rappers still face certain challenges.

A group of young men had been booing and throwing L-signs (the hand gesture for ‘loser’) during ‘Den bich’, but Yakuza wasn’t having any of it. The men were thrown out and the crowd starting booing them, leading the rapper to exclaim: “Now you can get a sense of how it feels to be booed at.”

It was an empowering act that seemed to make the crowd appreciate her straight-in-your-face-attitude even more.

Gimmicky features
During the concert Yakuza repeatedly showed off her excellent rap skills as well as her affectionate singing during the song ‘mdma’.

But the performance did feel gimmicky at times. A young man brought up on stage to be danced for during the song ‘Di$neyland’ – which she explained was what her ex-boyfriend called her nether parts – was followed by a visit from the young and nervous Mads Christian who brought his acoustic guitar and played ‘Sidste gang’ (Last time). The song seemed like it belonged more at an Ed Sheeran concert than with the boss-bitch energy that Yakuza brought.

The gimmicky vibes peaked when the rap group Fuld Effect played the song ‘Jacuzzi’ – a rowdy song that got the crowd going, but most of all seemed like a gimmick.


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Moreover, 21 percent of those surveyed admitted to medicating their kids with paracetamol, such as Panodil, before sending them to school.

The FOLA parents’ organisation is shocked by the findings.

“I think it is absolutely crazy. It simply cannot be that a child goes to school sick and plays with lots of other children. Then we are faced with the fact that they will infect the whole institution,” said FOLA chair Signe Nielsen.

Pill pushers
At the Børnehuset daycare institution in Silkeborg a meeting was called where parents were implored not to bring their sick children to school.

At Børnehuset there are fears that parents prefer to pack their kids off with a pill without informing teachers.

“We occasionally have children who that they have had a pill for breakfast,” said headteacher Susanne Bødker. “You might think that it is a Panodil more than a vitamin pill, if it is a child who has just been sick, for example.”

Parents sick and tired
Parents, when confronted, often cite pressure at work as a reason for not being able to stay at home with their children.

Many declare that they simply cannot take another day off, as they are afraid of being fired.

Allan Randrup Thomsen, a professor of virology at KU, has heavily criticised the parents’ actions, describing the current situation as a “vicious circle”.

“It promotes the spread of viruses, and it adds momentum to a cycle where parents are pressured by high levels of sick-leave. If they then choose to send the children to daycare while they are still recovering, they keep the epidemic going in daycares, and this in turn puts a greater burden on the parents.”