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Feeling your way around a cave in the dark: a quick guide to Denmark winning at the Emmys

Ben Hamilton
September 21st, 2020


This article is more than 4 years old.

Syrian director Feras Fayyad’s ‘The Cave’ grabs two gongs, but is it the best documentary? We’ll never know!

Denmark will make it easier for international health professionals to work in Denmark (photo: National Geographic)

‘Denmark triumphing at the Emmys’ has been doing the rounds on the front pages and social media today, but you’d be forgiven for feeling a little confused.

First off, ‘The Cave’, a Danish-produced documentary made by Syrian director Feras Fayyad that has won two Emmys, did not pick up the awards on Sunday.

No, it was at a different ceremony 24 hours earlier – bereft of star quality and razzamatazz, most media don’t tend to pay it much attention.  

There are a ridiculous number of Emmys these days. In fact, ask how many on Google, and it will tell you “numerous”.

Even AI can’t be bothered to count them.

Not the best documentary … well, maybe one of them
Up until 2015, a theatrical release documentary like ‘The Cave’ was ineligible to win an Emmy – they’re TV awards, after all – but then they changed the rules to permit films that have been at the cinemas for over 70 days to compete.

But instead of freeing up films like ‘The Cave’ to win the ‘best documentary’ award, the long-established ‘Outstanding Documentary Or Nonfiction Special’, they instead compete for the ‘Exceptional Merit In Documentary Filmmaking’ gong, a category established in 2005. 

The nominations and winner of the award are selected by a jury made up of ‘experienced filmmakers’, which makes it sound more like a manager’s player of the year award than a fans’ MVP.

Upon receiving the award, the film’s producers, Sigrid Dyekjær and Kirstine Barfod, paid tribute to “all those who are still fighting the atrocities in Syria”. 

Out-of-this-world award for cinematography
In addition, ‘The Cave’ also won the award for ‘Outstanding Cinematography For A Nonfiction Program’, which sounds like a lesser award, but is in fact vastly superior, as all documentary series and films were under consideration. 

In fact, as an added coup … no, you can call this a scalp … it only went and beat ‘Apollo 11’, for which the cinematography was attributed to … Michael Collins and Buzz Aldrin! Who’s moonwalking now?

However, Fayyad missed out in the best director category (to Neil Armstrong … no, we jest).

The title of the documentary ‘The Cave’ refers to an underground hospital in Al Ghouta run under the leadership of Dr Amani Ballour.

Sigrid Dyekjær, Dr Amani Ballour and Kirstine Barfod (photo: DR)


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A survey carried out by Megafon for TV2 has found that 71 percent of parents have handed over children to daycare in spite of them being sick.

Moreover, 21 percent of those surveyed admitted to medicating their kids with paracetamol, such as Panodil, before sending them to school.

The FOLA parents’ organisation is shocked by the findings.

“I think it is absolutely crazy. It simply cannot be that a child goes to school sick and plays with lots of other children. Then we are faced with the fact that they will infect the whole institution,” said FOLA chair Signe Nielsen.

Pill pushers
At the Børnehuset daycare institution in Silkeborg a meeting was called where parents were implored not to bring their sick children to school.

At Børnehuset there are fears that parents prefer to pack their kids off with a pill without informing teachers.

“We occasionally have children who that they have had a pill for breakfast,” said headteacher Susanne Bødker. “You might think that it is a Panodil more than a vitamin pill, if it is a child who has just been sick, for example.”

Parents sick and tired
Parents, when confronted, often cite pressure at work as a reason for not being able to stay at home with their children.

Many declare that they simply cannot take another day off, as they are afraid of being fired.

Allan Randrup Thomsen, a professor of virology at KU, has heavily criticised the parents’ actions, describing the current situation as a “vicious circle”.

“It promotes the spread of viruses, and it adds momentum to a cycle where parents are pressured by high levels of sick-leave. If they then choose to send the children to daycare while they are still recovering, they keep the epidemic going in daycares, and this in turn puts a greater burden on the parents.”