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Performance Review: La Traviata lights up Gamle Scene

Sophie Bergquist
March 17th, 2018


This article is more than 6 years old.

★★★★★☆

(photo: kglteater.dk)

Originally written by Giuseppe Verdi in 1853, Den Jyske Opera’s production of the classic piece premiered on Copenhagen’s Gamle Scene stage earlier last week.

Negotiating love, life and death
The sensual romantic tragedy is based on the trials and tribulations of courtesan Violetta Valéry, who has recently come to realise her own mortality and impending death. Navigating this realisation, the character falls for a man of high society named Alfredo.

As the lovers’ story plays out on stage, a cast of singers is introduced to the audience as a feast for the audience’s eyes and ears. Rich silks and feathered accessories flutter across the stage as conflicts unfold and the courtesan negotiates the boundaries of high society.

The red velvet and gilded interior of Gamle Scene provide a more than appropriate backdrop for the stage set of rotating mirrors and artful lighting.

Indulge in opera
The performance itself is lustfully charged through and through, as tales of sex and betrayal manifest themselves through the overindulgences of characters. Elin Pritchard, who plays the part of Violetta, delivers an emotionally-charged performance full of rich yet high tones.

Unapologetic opulence is balanced with a stark realisation of humanity and mortality in this performance – a must-see, beautiful time-warp of an experience.

 


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Moreover, 21 percent of those surveyed admitted to medicating their kids with paracetamol, such as Panodil, before sending them to school.

The FOLA parents’ organisation is shocked by the findings.

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Parents, when confronted, often cite pressure at work as a reason for not being able to stay at home with their children.

Many declare that they simply cannot take another day off, as they are afraid of being fired.

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“It promotes the spread of viruses, and it adds momentum to a cycle where parents are pressured by high levels of sick-leave. If they then choose to send the children to daycare while they are still recovering, they keep the epidemic going in daycares, and this in turn puts a greater burden on the parents.”