475

Business & Education

Holy cow: the public’s favourite bovine was the cream of the icons

Jane Graham
January 3rd, 2016


This article is more than 8 years old.

Arla’s ‘Karoline’ adorned our milk cartons for four decades, revolutionising the kitchens of our homes and promoting our dairy products abroad

Brightening up the lives of consumers since the 1960s (photo: Hasse Ferrold)

Newcomers to this country might think its kitchens were filled with nothing but the delightful, seasonal treats of the orchard, the Baltic and wilderness.

So it might surprise them to learn that before the Nordic cuisine movement, there was one cookbook that dominated the kitchen shelves: ‘Karolines’, a brand created by national dairy co-operative Arla back in the early 1960s.

Taking the battle to margerine
In 1957, exports of butter from Denmark to the UK were suddenly and dramatically cut, resulting in an ever-rising ‘butter mountain’ back home. In an attempt to reduce the surplus, dairy co-operative Arla introduced the Karoline brand: a name that was to be known in almost every Danish household for the next five decades.

‘Karoline girls’ became ambassadors across Europe, recipes were passed between neighbours and relatives, and Karoline the Cow became the mascot of the dairy-rich Danish kitchen.

The importance of the ‘Karolines Køkken’ (Karoline’s kitchen) brand to ordinary Danish life in the second half of the 20th century was significant enough for it to be studied by historians.

A large role in Danish food
“Karoline’s Kitchen has played a very large role in Danish food culture from 1962 to now,” Niels Kayser Nielsen, a cultural historian from Aarhus University, told Danish website foodculture.dk in 2012.

“I think personally that ’Karolines Køkken’ is one of the few Danish brands to have achieved icon status. The aim was to make it a part of Danish culture – one that consumers actively seek out, rather like how Michelin is in France. Karoline’s Kitchen is an active part of most Danes’ history and filled with memories. There are not many other brands that have enough substance in their past to fill an exhibition at a recognised museum.”

Inspired by her curtains
Karoline the Cow was the creation of Aarhusian graphic designer Grete Rich, who reputedly used her own kitchen curtains to make the red and white checked body of this beloved farm animal, complete with a red and white daisy dangling from her mouth, that was to become known the land over.

Karoline the Cow made her debut at Tivoli in 1958. Clad in her red and white checked material and the size of a real cow, the mascot was introduced onto the stage by no less than the prime minister at the time, HC Hansen.

After some tweaking later in the year, the design made its way onto milk and cream cartons and into adverts, appearing as its familiarity increased on everything from recipe books to key rings and ballpoint pens. The cow’s name was to be the springboard for an entire brand.

Milkmaid nurses
Next to arrive were the ‘Karoline girls’, six young ambassadors who were trained by Arla and sent to Germany in 1961 to promote Danish dairy products outside of the country, thus marking the debut not only of the ‘Karolinepige’, but also of the Karoline uniform, which looked something between that of milkmaid and nurse – with Karoline the Cow appliquéd to the left breast.

‘Karolines Køkken’ came later, in 1962, taking its name from the still-popular cow and containing recipe books and ideas for average families and housewives. The influence of these recipes has been significant enough for several historians and cultural critics to credit Karolines Kitchen with teaching Danes how to cook.

The Karoline brand was not the only place where milk products were promoted, however. Denmark’s first ever TV cooks, Conrad and Aksel (Conrad Bjerre-Christensen and Aksel Larsen), helped butter fly off the shelves with their slogan ‘Use butter, we do’. And between 1966 and 1976, their butter-heavy recipes dominated their hugely popular television show – until, that is, they were fired for endorsing the product for money.

Though the Karoline brand continues to this day, Karoline the cow disappeared sometime in the ‘90s. Her ‘mother,’ Grete Rich, meanwhile died in 2001, at the age of 93.

You might want to have a look in the attic for any old Karoline memorabilia. Its status as a collector’s item was cemented at a recent auction held by art dealers Bruun Rasmussen in Vejle in Jutland, where a wooden figure edition of the cow sold for 2,000 kroner.


Share

Most popular

Subscribe to our newsletter

Sign up to receive The Daily Post

















Latest Podcast

A survey carried out by Megafon for TV2 has found that 71 percent of parents have handed over children to daycare in spite of them being sick.

Moreover, 21 percent of those surveyed admitted to medicating their kids with paracetamol, such as Panodil, before sending them to school.

The FOLA parents’ organisation is shocked by the findings.

“I think it is absolutely crazy. It simply cannot be that a child goes to school sick and plays with lots of other children. Then we are faced with the fact that they will infect the whole institution,” said FOLA chair Signe Nielsen.

Pill pushers
At the Børnehuset daycare institution in Silkeborg a meeting was called where parents were implored not to bring their sick children to school.

At Børnehuset there are fears that parents prefer to pack their kids off with a pill without informing teachers.

“We occasionally have children who that they have had a pill for breakfast,” said headteacher Susanne Bødker. “You might think that it is a Panodil more than a vitamin pill, if it is a child who has just been sick, for example.”

Parents sick and tired
Parents, when confronted, often cite pressure at work as a reason for not being able to stay at home with their children.

Many declare that they simply cannot take another day off, as they are afraid of being fired.

Allan Randrup Thomsen, a professor of virology at KU, has heavily criticised the parents’ actions, describing the current situation as a “vicious circle”.

“It promotes the spread of viruses, and it adds momentum to a cycle where parents are pressured by high levels of sick-leave. If they then choose to send the children to daycare while they are still recovering, they keep the epidemic going in daycares, and this in turn puts a greater burden on the parents.”